Wednesday, May 11, 2016

[NEW] The Pianist's Guide to Practical Scales and Arpeggios: As They Occur in Pieces You Want to Play by Neil Stannard eBook or Kindle ePUB free

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The Pianist's Guide to Practical Scales and Arpeggios: As They Occur in Pieces You Want to Play When we encounter a scale or an arpeggio in a piece of music, we should be prepared to first notice that it is a scale or arpeggio, or part thereof, and consider it on its own terms. Since we propel

The Pianist's Guide to Practical Scales and Arpeggios: As They Occur in Pieces You Want to Play


Title:The Pianist's Guide to Practical Scales and Arpeggios: As They Occur in Pieces You Want to Play
Author:Neil Stannard
Rating:4.89 (968 Votes)
Id Book:1503344738
Format Type:Paperback
Number of Pages:318 Pages
Publish Date:2015-03-09
Type File:PDF, DOC, RTF, ePub


Rarely do scales and arpeggios occur in music the way we learn them in books, that is, until now in this book. When we encounter a scale or an arpeggio in a piece of music, we should be prepared to first notice that it is a scale or arpeggio, or part thereof, and consider it on its own terms. Does a particular routined fingering work here? How can we efficiently negotiate its twists and turns? I promise you the scale in your piece will not proceed innocently from G to shining G with a prescribed fingering and no detours. At least, not very often. But, really I hear you ask, are scales and arpeggios a necessary part of our pianistic diet? Well, yes and no. We need to understand the topography of the keyboard and elementary keyboard harmony in order to navigate the keyboard’s shoals and depths. Since we propel our hands laterally up and down the keyboard by means of certain navigational tools, of which the thumb is one, how when and where to activate the thumb has always been and r
Unlike life, playing the piano is easy and doesn’t hurt. This mantra has carried Neil Stannard through what might seem to others like several lifetimes—performing as a collaborative pianist, occasional soloist, symphony bassist and, through it all, a dedicated teacher. He has performed in international venues with distinguished artists, appearing in all 48 of the contiguous United States, across Canada and in many of Europe’s important concert centers from London to Moscow, including Carnegie Hall, the Kennedy Center, the White House, Vienna’s Musikverein, Berlin’s Hochschule and Tchaikovsky Hall in Moscow. He has taken part in the Great Performers at Lincoln Center series, the Berlin Festival, the Vienna Festival, Tage Neue Musik (Bonn), Marlboro and the Newport Festival. After graduating cum laude from the University of Southern California, a scholarship student of Muriel Kerr, Jacob Gimpel and John Crown, he received a Naumberg scholarship to play doub
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